2011 Nobel Prize in Chemistry
Reason for Award
for the discovery of quasicrystals
Laureates
Israel,
United States of America
Explanation
Snowflakes and grains of salt are crystals, meaning their atoms line up in neat, repeating patterns. School books once taught that such patterns could only repeat like triangles, squares or hexagons. Dr. Dan Shechtman suddenly cooled a metal and found a new kind of order called a “quasicrystal” that broke that rule. In a quasicrystal the atoms fit together like five-sided tiles, creating beautiful patterns that never exactly repeat. His discovery showed that nature can build designs once thought impossible and forced scientists to rewrite their textbooks.
Related Keywords
quasicrystal
A quasicrystal is a solid that possesses long-range atomic order but lacks translational periodicity. Electron or X-ray diffraction reveals sharp Bragg peaks with forbidden symmetries such as tenfold or twelvefold rotational axes. Its structure can be mathematically described by projecting a periodic lattice from higher-dimensional superspace into three-dimensional physical space. Quasicrystals exhibit unusual properties—high hardness, low friction, poor thermal and electrical conductivity—making them attractive for industrial uses. They have been discovered in multicomponent alloys like Al–Mn, Al–Cu–Fe, Zn–Mg–Ho and even in meteorite minerals, proving their existence in nature.
five-fold symmetry
Five-fold symmetry means that rotating a pattern by 72 degrees leaves it unchanged. Because it cannot fill space periodically, classical crystallography assumed it could not occur in atomic lattices. The discovery of quasicrystals proved the existence of solids with five-fold axes, where atoms arrange like Penrose tiles. Five-fold symmetry also appears in dodecahedral shapes, viral capsids, and even in certain flowers, linking it to both biology and geometry. Artists and architects exploit the aesthetic appeal of pentagonal symmetry, demonstrating its cross-disciplinary cultural impact.
Penrose tiling
Penrose tiling is a non-periodic mosaic invented by mathematician Roger Penrose that uses only two types of tiles. By combining a fat rhombus and a thin rhombus in proportions set by the golden ratio, the pattern extends indefinitely without repeating. The diffraction pattern of such a tiling exhibits tenfold symmetry identical to that of quasicrystals, making it a key structural model. Penrose tilings have influenced topology, quasicrystal theory and computational algorithms, showing broad scientific relevance. Similar motifs appear in medieval Islamic Girih designs, linking cultural artistry with modern mathematical concepts.
quasiperiodicity
Quasiperiodicity describes arrangements that are ordered over long distances but never exactly repeat, arising from the superposition of incommensurate periods. A classic illustration is the Lissajous figure produced by two sine waves with irrational frequency ratios. The atomic structure of quasicrystals can be viewed as the projection of a higher-dimensional periodic lattice, yielding a quasiperiodic function and discrete Bragg peaks. Quasiperiodicity leads to novel physical effects such as pseudo-gaps in electronic spectra and unusual localization phenomena. The concept also appears in astronomy, musical scales and biological rhythms, providing a unifying theme in complex-system science.
diffraction pattern
A diffraction pattern is the interference intensity distribution produced when waves such as light, electrons or X-rays interact with an ordered structure. In crystals, periodic lattices generate sharp Bragg reflections whose positions reveal lattice constants and symmetries. The tenfold diffraction pattern recorded by Shechtman displayed rotational symmetry forbidden by classical crystallography and hinted at quasicrystalline order. Fourier analysis connects the peak positions in reciprocal space to real-space atomic arrangements, making diffraction patterns key to structure determination. Modern techniques like EBSD and high-energy X-ray diffraction allow local structural analysis of complex alloys with unprecedented accuracy.
golden ratio
The golden ratio (φ ≈ 1.618) satisfies the proportion a:b = b:(a+b) and has been regarded as a standard of aesthetic harmony since antiquity. In Penrose tilings, the edge lengths of the fat and thin rhombi are in the golden-ratio proportion, producing non-periodic yet visually balanced patterns. Atomic distances and cluster diameters in many quasicrystals are likewise related to φ, underpinning self-similar structural motifs. Mathematically, ratios of successive Fibonacci numbers converge toward φ, setting characteristic length scales in quasiperiodic order. The constant also appears in art, architecture and phyllotaxis, making it a symbolic bridge between science and beauty.